For those who has spent a long time living in rental properties, confronted by the same standard-issue beige walls and longing for injecting personal style to their home, Pantone's latest Colour of the Year might seem like a disappointing choice.
This time around, the renowned color company has chosen a shade of white as its annual hue.
More specifically, the shade is called Cloud Dancer – a white characterized as "elevated" and "airy" which "functions as a symbol of calming influence in a society re-evaluating the value of stillness".
It signifies the initial instance a pure white has been honored as the Colour of the Year, and it has generated significant controversy.
Per Pantone, Cloud Dancer "transcends mere pigment, it's a mindset" and embodies a widespread yearning to decelerate, reset and achieve serenity after years of sensory saturation.
But some commentators have branded the decision as "insensitive", suggesting that elevating minimalist and immaculate white spaces can seem far removed from the more compact, messier homes most people inhabit.
Some observers contend that presenting white as aspirational introduces racial undertones, landing uncomfortably during continuing political and cultural conversations about race and representation.
Interior expert One design critic says the backlash goes beyond surface appeal, noting that white bears cultural undertones and is seldom a neutral choice.
"White is a signal," he says, influenced by a decade of minimalist celebrity interiors – most famously Kim Kardashian's austere home – that came to epitomize "affluence, order and removal from disorder".
He clarifies that white is "not about inspiration but being careful not to cause upset", with Cloud Dancer embodying "restraint, moral minimalism and the notion that impartiality signifies virtue".
Beaumont cites the pandemic as a defining period in how people perceive their homes.
"Almost instantly they became our offices, sanctuaries and sources of stability," he says, adding that in this context, pushing the Colour of the Year towards "further visual emptiness seems rather disconnected".
Rather than offering calm, he argues white now threatens to amplifying "a sense of desolation", especially when paired with harsh, sterile lighting.
Lara Clark, a UK-based design expert, agrees and says Cloud Dancer "doesn't really read as a colour" and is "firmly in the bin for me".
Although it may suit highly minimal or structural spaces, she says bright whites seldom foster calm in real homes.
"An image of tranquility in a styled shoot can easily seem clinical at home," she explains.
"The color white may seem harsh and unforgiving and you wouldn't wish your home to give hospital vibes."
She adds that "living spaces should elicit happiness and feel warm and welcoming, and this shade feels quite removed from that."
The critic hopes that homeowners will disregard the Pantone Colour of the Year in preference for "full-scale dopamine décor", using vibrant hues to express personality.
The vice president of the Pantone Colour Institute stated that people "bring different feelings" to the significance of the colour, but it was selected as it "integrates perfectly with everything around it, providing a sophisticated impartiality that feels intentional and adaptable".
Beginning in 2000, Pantone's Colour of the Year has evolved into a powerful industry signal.
Past choices have included the hopefulness of a vibrant pink-orange, the calm confidence of Classic Blue, the vibrancy of Viva Magenta, and most recently softer, feeling-based tones like a soft peach.
These colours extend beyond trend forecasts - they appear in fashion collections, beauty launches, interiors, packaging and even consumer electronics, influencing how products are marketed and how consumers envision the coming year.
Victoria Robinson, says Cloud Dancer is a "beautiful choice" and while it may seem simple, "this specific hue feels soft and elegant rather than severe".
In contrast to those who say the colour is boring, the expert sees it as "flexible" and says it's best used in "sleeping quarters and living areas where you want a peaceful, calming atmosphere".
"Even if you don't want to repaint, you can introduce the colour into a room with pillows, throws and drapes."
Design expert James Mellan-Matulewicz says although he was surprised that Pantone's pick this year was "essentially the absence of colour", it is a bit like vanilla ice cream, in that "everyone likes it but it's nobody's favourite".
He can see its benefits, explaining that white can work especially effectively as a background for design features like wall molding and arched doorways which is a "growing trend in modern homes".
In fashion, white has long been a staple rather than a bold declaration and as a Colour of the Year it poses a different challenge to designers more familiar with bold shades.
Luxury stylist Oriona Robb says championing white seems "not focused on newness and more about intention", reflecting a movement towards refinement after years of fad saturation.
"White forces designers and wearers alike to focus on shape, proportion and quality, there's really nowhere to hide," she clarifies.
But she adds that it also holds presumptions around self-image, way of life and privilege, saying: "If white is treated as something only a narrow group of people can wear well, it becomes divisive."
She says the fashion world is already aware of the problematic connotations tied to lauding white as an aspirational standard, particularly amid continuing conversations about representation and accessibility, and the true challenge will be whether "brands engage with that complexity honestly, or simply glamorize the colour".
Style consultant Katie Malik concedes the choice initially shocked her, given Pantone's track record of vibrant hues, but says it mirrors a genuine shift and fits within a broader sentiment of "quiet luxury
Lena Hofmann ist eine erfahrene Journalistin mit Schwerpunkt auf Schweizer Politik und gesellschaftlichen Entwicklungen.